Esperanza spalding radio music society zip10/30/2022 ![]() ![]() American Music Program, a 13-piece horn ensemble, appears on three cuts, including “Hold on Me,” Spalding’s bluesiest song, but it’s the Savannah Children’s Choir that lifts “Black Gold” and gives it true anthemic power before it memorably subsides into lullaby tenderness with Spalding’s vocal coda. Spalding’s latest vocal and horn arrangements have the polish of the finest gems by the Manhattan Transfer, Chicago or Steely Dan, and her song structures, alternating discursive sections with refrains, have a Michael Franks solidity beneath their spontaneity.Īll-star cameos include Joe Lovano blowing on Wonder’s “I Can’t Help It,” Jack DeJohnette setting the groove for “Let Her” and Lionel Loueke applying his special scatting atop a silky guitar solo on “Black Gold.” More often, Chamber Music alums Leo Genovese on keyboards and Ricardo Vogt on guitar are at the forefront to fine effect. Esperanza spalding radio music society zip plus#But a careful listen soon discloses that these 10 Spalding originals, plus covers of tunes by Stevie Wonder and Wayne Shorter, are anything but pop pap. Not only is Spalding perched atop a high-octane boombox on this album cover, Concord Music readily told us that there will be videos for all 12 tracks on the new release.īe forewarned: It will be nearly impossible to escape the chart-topping sounds of the catchiest cuts-“Cinnamon Tree,” “Black Gold” and Spalding’s bouquet to her hometown of Portland, Ore., “City of Roses.” Once the hooks of these songs grab your eardrums, they will be difficult to dislodge. The small combo feel that brought her here is gone, instrumentation is noticeably more electronic (including her fine bass solos), and lyrics are all-English instead of the previous linguistic paella. ![]() This year’s Society is unabashedly commercial. The phenomenal young jazz bassist/singer/arranger/producer, who scored an upset victory over Justin Bieber in taking the Grammy Award for Best New Artist in 2011, now has a follow-up to the CD that cemented her stature, Chamber Music Society. ![]()
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